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These are available for download on iTunes, Reverbnation, Amazon and can be streamed via YouTube. It is with this group that Jules recorded, pressed, and published a demo, EP, and several singles, and played several performances in support of all the released material. His most notable and commercially successful work was achieved in a solo act as well as with a band called The Freak Show Band. Such performances include but are not limited to the solo recital at the Prison Break industry party, providing entertainment at the TCCD Fine Arts Gallery, a concert in the Omni Penthouse for a donor's reception held by TCCD, with President Shimon Peres in attendance, college recitals, and successful scholarship auditions, as well as popular establishments such as The Rail and the Boiler Room in Dallas and Fort Worth.
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His more broad professional resume includes several notable performances. In the past six years he has performed a range of musical styles from classical, jazz, and blues to rock, pop, and EDM. Since, his career has been substantial and successful.
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Jules's professional debut was at the popular HBO series Prison Break industry party.
He has been taking private lessons in guitar and music from both his father, a former member of the Classical Guitar Society and instructor at the Guitar Studio Fort Worth, as well as from Michael Dailey, the head of the guitar department at Texas Wesleyan University where he is pursuing his bachelors degree in guitar performance.Īt the age of 13, Jules began performing professionally following several amateur performances in elementary school. Jules Word is a classically trained guitarist.
NOVEMBER RAIN GUI TAR SOLO HOW TO
His Magiusty from DallasMy father lived with slash in his moms’ apartment and showed him how to escape the pentatonic box.I had the privilege of meeting Axl very briefly shortly after this song came out. The true story is about a young man from Canada that meets a very famous lady singer and tells the story of there romance. Hunterregina from CanadaThis song has a true story to it as Axl puts himself into the shoes of this man ands sings from his perspective.But I didn't know it was going to be as memorable as it turned out to be." Anyway, we shot it and I had no idea what it was going to look like afterwards. And at that point in time, I was pretty much had that (mind-set) - I didn't have very much fear of death in those days. "It was the kind of thing where you're just resigned to the fact that you're probably gonna die.
And I thought, 'Well, this'll be my last day on Earth,'" Slash recalled. "When I got out onto the set and did my thing, I noticed that this helicopter would come back and forth at extremely fast speeds and get really, really low. What Slash didn't realize was that director Andy Morahan had an aerial shot planned from a helicopter that would leave him thinking he might die. So, I just would write my own part, like: 'This is what I'll do, and you guys do whatever.'" I really just couldn't get into the cinematic and theatric kind of concept thing. "I was always that guy who really could not care less about concept videos and all that kind of stuff," he laughed to Yahoo Entertainment. The band filmed the video's outside shots of Slash playing his solo in New Mexico, where they had a church specifically transported. I would explain all these sections to the band, and I said, 'This needs to be a journey, you need to take people on a journey to this song.' So that's what we did on 'November Rain.'" That means 'medium loud.' Now, we're going to go double forte here, which means, Okay, go back to your regular volume. Pianissimo means 'quiet.' And here we're doing mezzo forte. I sounded crazy to them: 'We need pianissimo instrumental right here and mezzo forte right here.' And they'd go, 'What?!?' 'When we're on, it's loud.' And I came from an orchestral upbringing and classical music - I was in wind ensemble. It was a rock band, like 'Go for it.' Just loud. The band wasn't really that dynamic when I joined. So epic.' I go, 'What if I use that sort of a phrase as pieces of the song, almost like a melody that would work into the song structure.'"ĭiscussing the orchestral elements in the song, Matt explained: "I worked on the arrangements for those songs, the way they broke down and the dynamics. "I said, 'God, listen to the tom toms on that,'" Matt recalls.
Axl, a big Elton John fan, put on the song " Don't Let The Sun Go Down On Me," which gave Matt an idea. In our interview with Sorum, he explained that the drum pattern came together after they had been rehearsing the song, and Axl and Matt found themselves in the studio enjoying take-out from Greenblatt's Deli. A former session drummer and bandmate of Tori Amos, his classical training helped bring a more classical sensibility to the band, which is best heard on this song. Matt Sorum replaced Steven Adler as GnR drummer in 1990.
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